n. 179 febbraio 2021 - Borders Cuts Images

febbraio 2021, Venezia

Borders Cuts Images. History and Theory. Editorial

Cut as a device. An example from Classical Antiquity

Cutting down the interpretation of drawings. The case of Watteau

Framing representation. The hybrid zones of intarsia

The photographic cut and cutting practices in photographic archives

From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860)

A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries

Framing the ‘delegated gaze’. Handbooks for travelers and the making of anthropological photography in Italy at the end of the 19th century

Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894)

The aesthetics of cut in found footage film. The case of Decasia by Bill Morrison

Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systems

At the border of artistic legitimation. Geography, practices and models of project spaces in Milan